Dad of murder victim Kayden Moy visits Knife Angel statue
The Knife Angel towers over Leith Walk in Edinburgh, a 27‑foot steel figure forged from more than 100,000 surrendered knives. Its jagged wings and outstretched arms turn a collection of weapons into a stark, visual plea for peace.
During a lunch break, Paul Moy stood before the monument, his grief palpable as he reflected on the loss of his son, Kayden Moy, who was stabbed to death in 2025. For Moy, the sculpture is more than public art; it is a personal reminder of the devastating impact of blade culture and a call for the piece to become a national monument against violence.
Moy’s visit sparked a broader conversation about the social systems that failed to intervene. He demanded accountability from local councils and social‑work services, pointing out that the three youths convicted of his son’s murder were under supervision at the time. The sculpture thus serves as a focal point for debate on prevention, oversight, and community safety.
Beyond its political resonance, the Knife Angel continues to draw visitors, each confronted with the stories hidden behind every blade. Its imposing presence encourages dialogue, urging society to consider the human cost of knife crime and to imagine a future where such monuments stand as symbols of hope rather than reminders of loss.